My gel plate prints on paper echo the internal and external landscapes of my ceramic works. Each print begins with an acrylic base layer, followed by successive layers of color and texture that slowly build depth and atmosphere. Using paper stencils and handmade clay stamps, I create shifting spaces where gestural forms surface and recede. The resulting images assume archetypal vessel shapes. Rather than depicting specific sculptures, these forms recall traditional pottery as sites of containment, memory, and presence. Transparent layers of vivid color remain visible within the silhouettes and beneath stamped impressions, revealing traces of touch, interior space, and accumulated histories.